At the end of February (the 24th to be precise) we went to our first gig of the year, I would’ve blogged sooner but it was not long after we headed up to Scotland for another gig (more on that later) mixed in with holiday so haven’t really sat still for a few weeks.
Unusual for us, we arrived early for the OMAM gig as I’d heard that fellow Icelandic artist Mugison was supporting them, and as I’d listened via his facebook page to a few tracks and decided we should get there early to check him out, we arrived at Manchester Academy 1 (the big one) before 8:30pm. At this point the place was fairly packed, but not with the usual teenage crowd I’d expected for a band that had hit the top ten in the UK and would be flooding a gig that catered for the age 14+ market. Instead plenty of people who made me feel young (which at early 30’s is usually reserved for bands who are on their reformation tour having split up at least 10 years ago), not to mention an abundance of Nordic inspired heavy woollen looking jumpers, which seemed a bit over kill for what was to soon become a hot sweaty venue.
Anyway, onto Mugison: every bit as excellent live as I heard from the tracks I listened to online, only with this very amusing off the wall banter, about sending farts in a jar to Andy Votel and his family having to hand-craft thousands of CD covers. He played in no particular order Poke-A-Pal, Pathetic Anthem, Itrekun (which my other half describes as very Nick Cave-ish, in a good way) and Murr Murr the latter of which was song of the year at the Icelandic Music Awards in 2004 and you can catch a a live performance of it here, he actually played a few more tracks that I didn’t catch the name of (we’re pretty sure Kletturinn was on there though), but I’m sure I’ll learn them all after I picked up a 5 (yes, 5!) CD pack of his albums for a mere ten quid at the merch table.
If you want to find out more about Mugison or read the full story about the fart in the jar, check out the extremely well written & researched wiki page.
On to Of Monsters & Men, well they started right in there with Dirty Paws which got the crowd riled up and ready to sing along and dance their socks off! I loved the way they almost marched back & forwards in sequence with each other, like a well rehearsed marching band
Swiftly followed by From Finner and Slow & Steady, if I can remember it wasn’t until another few songs before they actually spoke to the crowd. They played what we assumed to be a new song but has turned out to be a Yeah Yeah Yeah’s Cover, and finished the set by playing the rest of the album (yup all 12 songs played) with Sloom & Yellow Light being the encores, before the lights went up. I was more than impressed with this gig, although I’ve seen live versions on youtube etc and knew they could pull it off, I wasn’t quite prepared for the extra oomph of the bass and what felt like more complex musical arrangements at times than on the album (or maybe I just don’t have a good enough pair of headphones?).
Highlight of the night? Possibly the fantastic trumpet solo from Ragnhildur Gunnarsdóttir, possibly the slightly disconcerting moment when the lead fell out of Nanna’s guitars almost creating the illusion of miming as the music continued…
Non the less one of my favourite gigs of the last few years, I’m hoping to see them again somewhere soon